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PEARLS FROM PEORIA Philip Jose Farmer 1st HC fine OOP

PEARLS FROM PEORIA by Philip Jose Farmer, Illustrated by Keith Howell, Charles Berlin, Jason Robert Bell, and Mario Zecca. Burton, MI; Subterranean Press; 2006. 1st edition hardcover.

An outstanding and unique collection from an outstanding and unique talent. Philip Jos� Farmer, three time Hugo winner and Nebula Grand Master in 2001, has written exciting and provocative fiction since his debut, the ground breaking "The Lovers," stunned the SF community in 1952.

Pearls from Peoria assembles over sixty previously uncollected pieces of fiction, nonfiction, poetry and autobiography that demonstrate the extraordinary range and vitality of Philip Jos� Farmers imagination.

Many of the pieces appear here for the first time anywhere, while others have previously appeared only in small run magazines that have remained elusive and avidly sought after by Farmer aficionados.

These tales and articles provide the reader with a grand tour of the literary pocket universes that make up Philip Jos� Farmers private cosmos. The range is vast, from horror to pulp heroes, and autobiography with pieces on Tarzan and Edgar Rice Burroughs, Doc Savage and Sir Richard Burton, Riverworld and Oz, Sherlock Holmes and Ralph von Wau Wau.

Pearls from Peoria represents outstanding value for people who want access to this incredibly rare work without spending a fortune, and copious amounts of time and energy, tracking down the individual original publications.

Table of Contents:

Myths and Paramyths Nobodys Perfect, Wolf, Iron, and Moth, Evil, Be My Good, Mother Earth Wants You, Opening the Door, The Wounded, Heel.

Ralph von Wau Wau: A Scarletin Study, The Doge Whose Barque Was Worse Than His Bight, Jonathan Swift Somers III: Cosmic Traveller in a Wheelchair.

Lost Futures: Seventy Years of Decpop, Fundamental Issue, Some Fabulous Yonder, Planet Pickers, The Terminalization of J.G. Ballard.

Psychological Tales: The Blind Rowers, Hunters Moon, The Rise Gotten, The Good of the Land, OBrien and Obrenov,

Doc Savage: Writing Docs Biography, Savage Shadow, Doc Savage and the Cult of the Blue God, The Monster On Hold.

Tarzan and Edgar Rice Burroughs: The Princess of Terra, The Golden Age and the Brass, An Appreciation of Edgar Rice Burroughs, The Arms of Tarzan, The Two Lord Ruftons, A Reply to "The Red Herring", The Great Lorak Time Discrepancy, The Lord Mountford Mystery, From ERB to YGG, A Language for Opar, The Purple Distance.

PJF on SF: The Source of the River, A Rough Knight for the Queen, The Journey as the Revelation of the Unknown, The Jos�s from Rio, Getting A-Long with Heinlein, Gods Hat, To Forry Ackerman, the Wizard of Sci-Fi, Pornograms and Supercomputers, A Review of the 1977 Anthology Chrysalis .. , Review of The Prometheus Project .. , Review of How the Wizard Came to Oz ... , Oft Have I Travelled, White Whales, Raintrees, Flying Saucers..., IF R.I.P. ....., The Tin Woodman Slams the Door, Witches and Gnomes and Talking Animals, oh my, Suffer A Witch to Live.

Poems: Imagination, The Pterodactyl, Sestina of the Space Rocket, Beauty in This Iron Age, In Common, Black Squirrel on Cottonwood Limbs tip, Jobs Leviathan.

PJF on PJF: Maps and Spasms, Religion and Myths, Creating Artificial Worlds, Phonemics, Lovers and Otherwise, A Fimbulwinter Introduction, On A Mountain Upside Down.

On PJF: Mother of Pearl, The Artwork, Photo Montages.

From Publishers Weekly (Starred Review): "This colossal scrapbook of scarce, offbeat fiction, poetry and nonfiction from SF veteran Farmer offers fans a smorgasbord of his hard--and impossible--to find work from fanzines and other small publications, spanning the 1940s to the 1990s. Amassed by Mike Croteau, who runs the official Philip Jose Farmer Web site, and edited by Paul Spiteri, who provides brief introductions for each piece, this collection is especially valuable for its insights into the author's writing methods. For fun, Farmer reinterpreted the adventures of pulp hero Doc Savage, Oz characters, Sherlock Holmes and Tarzan. His canine detective, Ralph von Wau Wau, in 'A Scarletin Study,' somehow blended Holmes, Sam Spade and, typically, puns. Farmer also reprised vampire, werewolf and Frankenstein stories. About the sale of his first story, 'The Lovers' (which won a Hugo in 1952), Farmer says in the autobiographical 'Maps and Spasms' that he thought he 'had the world by the tail. But, as it turned out, there was a tiger at the other end.' Fortunately for generations of SF readers, he persisted."

From Booklist: "More than 60 pieces in all showcase Farmers amazing versatility and should gratify the pants off fans searching for previously unpublished and long-out-of-print gold."

Paul Di Filippo, in Science Fiction Weekly (A+ Review) "... we have to acknowledge that Farmer's unique voice leaps out of every piece. Cumulatively, they represent as clear a transmission of his startling mind and talents as any other book in his oeuvre. The sheer bulk of the material has the effect of enwrapping the reaer in PJF's warm embrace. (Perhaps that image is a bit too creepy, given Farmer's notoriously kinky fiction, but we'll let it stand.) Farmer's ludic delights in fiction as gameplaying; his nostalgia for the milestones of Western pop culture (Oz, pulps, Hollywood, etc.); his Midwestern moral sunniness underpinned by psychological darkness (Farmer is the genre's Sherwood Anderson or Thornton Wilder); his vibrant prose, packed with metaphors--all of this is on display in even the most 'trivial' piece herein."

And Philip Jose Farmer's Reaction to Pearls: "After a lifetime of writing it is a real joy to see a collection such as Pearls in print. That it covers so many aspects of my work is especially gratifying. I've enjoyed revisiting this diverse collection of my work (some over fifty years old!) and am impressed with the thought that went into arranging the pieces into the order they appear. I do believe it gives a good overview of my whole catalog; I hope the reader will enjoy the collection and the access it affords to some of my rarer pieces. I had fun writing them, I hope the reader has fun reading them."